…The tapestries had a historic state visit to London in September 2010. They were sent by the present Pope to be exhibited at the V & A Museum.
You will have to hurry if you want to see the magnificent tapestries designed by Raphael. In honor of his birthday, they will only be on display at the Sistine Chapel in Rome until February 23, 2020. It was my privilege to visit Rome and see the Sistine Chapel, which is a once in a life time experience. As a student of history, I marvel that during WWII the great works of art were not completely destroyed or confiscated by the enemy invaders. Thanks to the bravery of the men of the Church and regular citizens, of whom lost their lives, we have these beauties to enjoy today. The Monuments Men movie gives a great understanding to the importance of protecting our history and the works to whom great men dedicated their lives. It is my hope that you will enjoy this writing and those who are shown as contributors. NWB
A dozen tapestries designed by Renaissance artist Raphael are currently on view in their original home—the Sistine Chapel—for the first time in more than 400 years. But there’s a catch: The fragile works, commissioned by Pope Leo X in 1515 to complement Michelangelo’s famed frescoes, will adorn the chapel’s walls for just one week. The exhibition offers a rare chance to see the tapestries, which depict scenes from the lives of St. Peter and St. Paul, in their intended space rather than behind conservation glass. The last time the Vatican held a similar exhibit was in 1983, the fifth centennial of Raphael’s birth. According to Henry Kamm of the New York Times, only eight of the ten main tapestries made it into this display. At the time, one of the remaining works was on loan to a museum in New York; the other was undergoing restoration.
Now, in honor of the 500th anniversary of the artist’s death, the full set of ten masterworks and two border tapestries has returned to the Sistine Chapel for a limited engagement. As exhibition curator Alessandra Rodolfo tells Reuters’ Philip Pullella, the last recorded instance of all 12 tapestries being hung in the chapel together dates to the late 1500s. (Smithsonian Magazine)
ABOUT THE TAPESTRIES:
(CNN and Staff Writers)
The four were commissioned in 1515 from the artist Raphael (Fafaello Sanzio da Urbino 1483-1520) especially for the Sistine Chapel. This was the first time in 500 years that the tapestries had hung alongside the original cartoons that Raphael had painted for the weavers so they could complete this fabulous series of sensational textiles. There are ten in existence, but some scholars speculate that originally sixteen may have been planned.From the fourteenth to the sixteenth centuries in Europe most rulers or heads of important families were continually on the move. Tapestries were a way of having instant decor. They added prestige to any setting and practically helped with droughts in stone castles or chateaux, which were evolving with extended periods of peace from places of refuge into being country houses. Their narrative subjects were very attractive and they usually featured scenes from mythology, from the Bible, or of hunting and court life.At the time these were manufactured, weaving was considered the most important art form and expression of cultural development. They demonstrated the wealth and status of the ruling families of Italy, Europe and England and, had the advantage of being easily transportable.
The tapestries made for the Sistine Chapel to Raphael’s designs were woven between 1516 and 1521, They are of wool, which has been intertwined with silk and gilt metal wrapped thread. They were made in the workshop of Pieter van Aelst at Brussels the main centre for tapestry production in Europe at that time.
It would have been no mean feat. The weavers would have been constantly challenged working to Raphael’s painted cartoons, without the benefit of being able to enter into any sort of dialogue with the artist himself who had no part in their production. The technical difficulties were mind boggling and the finished tapestries are a tribute to the level of expertise, experience and considerable skill the weavers had attained. One of the reasons Raphael gained the commission is that he had successfully designed the grotesque style painted decoration for architect Donato Bramante’s Gallery in the Vatican Palace .The painting of the walls and vaults of the loggia were completed by pupils under his supervision and are a high point of Renaissance art.He proved, through his attention to detail an ability to produce a design that could be transmitted to another medium. The tapestries exist because of one man, Pope Leo X (1475 – 1521) who commissioned them. He knew the richness of these amazing textiles would compliment, and not be overwhelmed by the painted glory perfected by Michelangelo when completing his ‘art above.’
POPE LEO X: Born into the famous Medici family at Florence, whose patronage of the arts at Florence the cradle of the Renaissance world, Leo X was already celebrated as a prince of peace and acknowledged as connoisseur of music when he ascended the papal throne. His classical education had been thorough and included poetry, literature and music alongside theology, philosophy and the ancients.His love of culture and the arts did not conflict with his worship. And, his interest in the humanities meant that he sought to actively combine, in religious harmony, the past and present while helping to plan the future of the church at Rome.Part of his role as Pope and leader of the Christian church, as the sun rose on the fifteenth century, was to encourage his countries cultural development. As tapestry was considered societies most prestigious art form it is no surprise he chose to hang them in the Sistine chapel.The tapestries illustrate scenes from the lives of St. Peter and St. Paul long regarded as the founders of the Christian Church. They were at the source of the Pope’s authority and power.
HOW THE TAPESTRIES WERE MADE AND PRESERVED:
The Raphael Cartoons were design drawings made up of a mosaic of hundreds of sheets of paper glued together which was then fixed to the wall. Raphael and his assistants would have painted them in situ. Then they would then have been rolled for transport to Brussels to Pietr Van Aelst’s studio where they would have been cut up into strips for use by the tapestry weavers. The tapestries have had a turbulent history. They were pawned to pay for Pope Leo X’s funeral and recovered for the coronation of Hadrian VI (1522-3). They were stolen during the Sack of Rome in 1527, and after many adventures returned to the papal collection between 1544 and 1554. They were looted again during a French occupation of Rome in 1798 and purchased by a second hand dealer very cheaply. They were bought back again in 1808 and restored to the Vatican collection.
As part of the journey associated with every aspect of the design commission, the cartoons arrived in England after King Charles I paid £300 in 1623 to obtain them.He bought them as designs for tapestries and as painters by his time were being recognized for their individual talents, they would have proved a good investment for the crown. It was at the end of the seventeenth century when they were framed as paintings in their own right. It was Queen Victoria who sent them along to the Victoria and Albert Museum in 1865 and they have been in the public domain ever since. Originally they had woven borders showing scenes from Leo’s life, also believed to have been designed by Raphael. However the cartoons for these did not survive.
As Mark Evans who produced the splendidly detailed and scholarly catalog for the exhibition held at London in 2010 said ‘despite the toll of time those who have the good fortune to admire these beautiful tapestries five centuries after their creation can confirm the challenge to make them was triumphantly met”.
SHORT VIDEO: Turn on sound. After watching, be certain to scroll down to the 360 tour video of the Sistine Chapel.
360 VIRTUAL TOUR OF THE SISTINE CHAPEL (The tapestries are not shown here…only the great art. It will move slowly around the room for a closer view of Michelangelo’s amazing works. View at your leisure. )